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  • 1.  Permanent ink

    Posted 02-24-2020 13:24
    Hi,

    I was asked a question about permanent inks by a potential donor and i need some assistance.  Here is the situation.  The donors have 30-40 scrapbooks, the usual - a variety of items glued down on black paper, and in this case, captions added in white ink.  In some cases, the ink is fading badly, and they asked if i knew of a permanent white ink they could use to trace over the handwriting so that the info wasn't lost.  Well, i have some issues with this, but said i would look for some information.  One of the family has taken many photographs of the scrapbooks, but is apparently not doing every single page.  Is there such a thing as a permanent white ink? I seem to remember that the LOC used to offer a permanent black ink.  Since the books are not in my possession, i have little control over what they choose to do, but hoping that i can get some information that will help minimize damage to the scrapbooks. Thanks, Bev Allen, University Archivist, CSU-Pueblo

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    Beverly Allen
    University Archivist/Professor
    Colorado State University-Pueblo Library
    Pueblo CO
    (719) 549-2475
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  • 2.  RE: Permanent ink

    Posted 03-11-2020 12:43
    Dear Beverly,

    So sorry about the delay. I will start working on your inquiry today and will get some answers for you ASAP.

    Stay tuned!

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    Nicole Peters
    Conservator
    Peters Art Conservation Services, LLC
    Skagway AK
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  • 3.  RE: Permanent ink

    Posted 03-12-2020 07:18
    Hi Beverly,

    This is an interesting case, for sure. Honestly, it will ultimately be up to the donors on what they decide to do (just as you mentioned.) 

    I've consulted with some colleagues about this, and we all agree that we would advise against the application of any permanent marker medium over top of the original handwriting. Doing so would contradict our Code of Ethics, really. Would the donors be open to pursuing alternative passive solutions? An idea that we discussed was the possibility of recording legible text and printing (via laser printer) onto archival-quality paper and interleaving the information into the scrap books. The transcriptions could be inserted into archival plastic page protectors and bound into the book (if it's in a 3-ring binder format). It might be a harder sell, but another idea would be to do comprehensive annotated photodocumentation of the scrapbook. That way, both the photographs and associated information could be recorded and stored digitally as well as physically, if the donors wish to print the photographs out. 

    If the donors are determined to apply a permanent white marker over top of the original text, they might have a hard time getting information or recommendations from an accredited conservator on how to do so. I am going to reach out to some of our C2CC paper experts and see if they can offer any additional solutions or ideas.

    Stay tuned, Beverly, and I'll add to this thread as I receive information from our experts.
    Best,



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    Nicole Peters
    Conservator
    Peters Art Conservation Services, LLC
    Skagway AK
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