Publications & Resources
We encourage the publication of books, periodical resources, articles and other useful tools like sample sets. Our Publications Committee coordinates these efforts.
Books
Coatings on Photographs: Materials, Techniques, and Conservation , edited by Constance McCabe, 2005. Coming Soon Online Book Version (By Chapter)
Platinum and Palladium Photographs: Technical History, Connoisseurship, and Preservation , edited by Constance McCabe, 2017.
Postprints
We publish our postprints, Topics in Photographic Preservation , biennially. It is a compilation of papers presented at photographic materials sessions at AIC annual meetings, our biennial winter meetings, and sometimes other submissions related to photographic materials. While scientists, conservators, and historians in the field contribute published research and treatments, we do not subject any of the included papers to a peer review process. Submission Deadline: September 31 on odd years
Submission Guidelines
Photograph Information Record
The Photographic Information Record (PIR) is an artist questionnaire to be filled out by the artist or gallery and that gathers technical information about the creation of a work of art along with information about the display and conservation history. It was developed by the Photographic Materials Research Group, international colleagues, and with input from curators and collections managers. The form is translated into several languages for use internationally.
Wiki
Our wiki is an interactive and collaborative resource for conservators and conservation students to learn and share about topics in photograph conservation. It is a dynamic endeavor that aims to foster communication and connectivity through an active exchange of information on developing research and the current trends and needs of the field.
Photographic Print Sample Sets
Photographic Print Sample Sets are useful as research tools or for educational purposes. Four different sets of prints have been produced.
Journal
The Journal of the American Institute for Conservation dedicated Vol. 59, Nos. 3-4 to salted paper prints, a must have for all photograph conservators.