Paintings Specialty Group

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We are dedicated to improving knowledge of all subjects relating to the conservation of paintings, to promote proficiency and skill in the practice of paintings conservation, and to disseminate related technical and professional information.  

Formed in 1980, we now have more than 800 members.

Our membership is open to any AIC member with an interest in paintings conservation.

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What We Do

Annual Meeting Programming

We primarily coordinate paintings programming for AIC's Annual Meeting. Programming sometimes corresponds with overall meeting theme, sometimes concentrates on a special theme, and at times includes collaborative efforts with other specialty groups. Topics covered include treatment techniques and challenges, new materials, and research results. The program is usually a two to three days of paper presentations, panel discussions, tips sessions, workshops, as well as social events. 

Online Events

We host speakers on a variety of topics of interest to modern conservation professionals, often across specialties. Our recent webinars have included an update on reformulating Beva and working with MS3 varnish, plus a workshop on practical documentation.

Publications

Postprints

We prepare conference proceedings after our sessions at the annual meeting. Authors often expand their presentations into long-form articles or extended abstracts. While not peer-reviewed, they present a wealth of information about current topics in paintings conservation as well as insight into paintings conservation treatments.

Wiki

Our wiki  is an interactive and collaborative resource for conservators and conservation students to learn and share about topics in objects conservation. It is a dynamic endeavor that aims to foster communication and connectivity through an active exchange of information on developing research and the current trends and needs of the field. 

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Read Our Postprints

Our postprints are an annual publication that includes articles based on AIC Annual Meeting presentations. You can find complete volumes in our electronic store.

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Online Community

 Group Member Restricted 

Our online community provides valuable forum where colleagues can share and exchange ideas and practical information, facilitate open discussion, disseminate group-related news, questions, job postings, announcements, comments of interest, and general information.

  • The Denver Art Museum and Clyfford Still Museum are currently ...

  • Hi Kate, Do you have some images or a video you could send ...

  • Has anyone had a crank easel repaired? Two of our workhorse easels ...

  • Hello PSG, The Wiki Working Group has created a survey ...

Officers

Ellen Davis

Chair (2025-2027)

Ellen Davis is Associate Paintings Conservator at the Straus Center for Conservation and Technical Study at the Harvard Art Museums. Previously she was a Fellow in Paintings Conservation at the Museum of Modern Art in New York. She earned her M.A., C.A.S. in Art Conservation from Buffalo State, S.U.N.Y. in 2015 and her M.A. from Wesleyan University in 2007. Ellen completed her third-year graduate internship at MoMA and additional graduate internships at the Whitney Museum of American Art, The Barnes Foundation, and the Judd Foundation in NYC. Ellen has a particular interest in the treatment of non-traditional modern and contemporary paintings, as well as the influence of prior conservation interventions on those treatments.

Adriana Benavides

Program Chair (2026-2027)

Adriana was introduced to conservation during her junior year of high school and was able to focus her undergraduate studies on conservation. She graduated Summa Cum Laude from Towson University with a B.A. in Art History and Studio Arts as well as minors in Chemistry and German. Her senior thesis focused on the conservation of Thomas Eakins’s The Gross Clinic. After her graduation in 2019, she began training under Dr. Joyce Hill Stoner at Winterthur’s painting conservation studio and undertook the conservation of Lincoln University’s Portrait of Reverend Irving Underhill by Laura Wheeler Waring. In addition to cleaning and inpainting, the portrait required a modified Heiber technique to mend a large tear. Next, she interned at the Walters Art Museum in Baltimore. In the paintings studio she wrote a condition report and documentation on a panel painting and worked on its initial cleaning. She then interned in the objects lab conditioning and cleaning a 19th-century enameled glass vase cover. During and after her time at the Walters she also worked in an archival frame shop in Baltimore where she was exposed to artworks including antique Chinese silks, rugs, pins, embroideries, and antique prints. In her free time, she listens to podcasts, takes care of her cats, and plays video games or Dungeons and Dragons with her friends.

Brianna Weakley

Assistant Program Chair (2026-2027)

Brianna is currently the Conserving Canvas Project Fellow at the National Gallery of Art. She graduated from the Winterthur/University of Delaware Program in Art Conservation in 2024, specializing in paintings conservation. She has previous experience working at The Cleveland Museum of Art, Frans Hals Museum (NL), and Smithsonian American Art Museum, as well in the private practice studios of Cynthia Kuniej Berry and West Lake Conservators.

Victoria Ward

Secretary/Treasurer (2026-2028)

Victoria Ward is the Migelien Gerritzen Fellow for Conservation and Scientific Research at the Rijksmuseum, Amsterdam where she is developing greener cleaning methods, inspired by historical-recipes and biomaterials for treating traditional oil paintings. Victoria holds a BA in the History of Art (first class) from University College London (UCL) and an MA from the Courtauld Institute of Art, London specialising in the Conservation of Easel Paintings. Victoria is interested in sustainability and innovative conservation techniques for cultural heritage and has published on these topics and presented her work at the 2026 AIC Conference in Montreal, Canada (Paintings Specialty Group).

Patricia "Patti" Favero

Postprints Editor

Patti is a Conservator at The Phillips Collection.

Linnaea Saunders

Assistant Postprint Editor

Linnaea E. Saunders is a Conservator of Paintings in private practice in Los Angeles. Following her training at the Courtauld Institute of Art (1999), Linnaea worked for the Cleveland Museum of Art, The Mauritshuis, and the Los Angeles County Museum of Art (LACMA). In 2007, she established her independent conservation studio, The Conservator's Easel, LLC, specializing in the treatment of easel paintings and frames. Linnaea has experience treating European, Latin American, American, and Modern and Contemporary paintings on canvas, wood panel, copper, and paperboard support. She provides services to major institutions, smaller museums and historical societies, galleries, collectors, and private individuals. Linnaea regularly hosts graduate interns in her studio as part of their training.

Katelyn "Katie" Rovito

Wiki Editor

Katie joined Flux Art Conservation as a paintings conservator in September 2023 after completing a post-graduate fellowship in paintings conservation at the Chrysler Museum of Art. In her previous work for both private practices and institutions, Katie built a diverse portfolio treating murals, paintings, frames, and painted surfaces. She received her M.S. from the Winterthur/University of Delaware Program in Art Conservation (WUDPAC) and her BFA in Painting and Art History from Tyler School of Art, Temple University. During graduate school, she completed her third-year fellowship at the Cleveland Museum of Art, researched orpiment degradation at the Rijksmuseum, and studied microscopy at Colonial Williamsburg. Pre-program, she held multiple positions at Winterthur Museum within the paintings, furniture, and objects conservation labs. Katie is very happy to be back in her hometown of Philadelphia working at Flux.

Cristiana Acerbi Ginatta

Virtual Events Coordinator/Chair Emerita

Cristiana Acerbi Ginatta received her Master in “Conservazione e Restauro dei Beni Storico Artistici” from Palazzo Spinelli in Florence, Italy. As a hired specialist and as a volunteer she has professionally treated numerous collections to prevent the occurrence of damage, to address age-related conditions as well as to salvage artifacts affected by natural disasters, such as floods, fires, tornadoes and hurricanes, and by man-caused accidents. She holds FEMA and Community Emergency Response certifications, and have been actively involved with TX-CERA in training and response to regional disasters. She has lectured on Management of Museums and Cultural Institutions at Università Luigi Bocconi in Milan, Italy.

Laura H. Richter Le

Publications Committee Chair (2026-2028)

Laura Richter Le is a Paintings Conservator at Green Mountain Art Conservation.

Gregory Bailey

Board Liaison

Gregory Bailey graduated in 2011 from Buffalo State College with an M.A. and C.A.S. in Art Conservation with a focus on the conservation of objects. Since that time, he has been awarded a Kress Fellowship at the Metropolitan Museum of Art and a Mellon Fellowship at the Walters Art Museum, where he also went on to work as Associate Conservator. He is the 2016-2017 recipient of the Booth Family Rome Prize in Historic Preservation and Conservation.  From 2017 to 2019, Greg served as Objects Conservator for the Smithsonian American Art Museum and Renwick Gallery.  Greg returned to the Walters Art Museum in 2019 as Senior Objects Conservator.  Greg is a Professional Member of the American Institute for Conservation (AIC), for which he also serves on the Board of Directors. Greg is Associate Editor for the Journal of the American Institute for Conservation (JAIC) as well as Associate Editor for Studies in Conservation.

Ryan Winfield

Staff Liaison

After graduating from Mary Washington College with a BA in art history and historic preservation, Ryan moved to DC, where he got his first job working for a small association management firm. After that he worked at a national arts advocacy organization before coming to AIC as a Membership Assistant. He is currently the Membership Manager. Ryan likes living in DC where he enjoys learning about its history, its local politics, and its public transportation system. In his spare time, he likes to cook, travel, and finish the many DIY projects he has going on in his apartment.

Volunteer with Us

Help create resources, plan events, and build connections among members. There are many ways to get involved—organize annual meeting sessions, develop webinars, or support networking and skill-building efforts. All of our group’s great work is powered by volunteers. Connect, contribute, and make a difference!

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