Microfading Tester International Discussion Group

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  • 1.  Testing very dark colours

    Posted 07-04-2025 10:10
    Dear all,

    I am writing as I would appreciate input/confirmation from the MFT users community regarding some of the limitations I have been facing when testing very dark colors. It happened a few times in the past to obtain puzzling recurrent results that I can divide into 2 categories listed below. Considering the fact that dark colors can be rather sensitive depending on the media, I have tried to make sense of these 2 types of recurring results to further consolidate my interpretation. I have formulated my hypotheses and reasoning below and would highly appreciate your feedback, critical perspective, comments and additional suggestions. I wish such discussion can be be useful for the MFT user community 

    I thank you in advance for your feedback and wish all of you to have a good weekend ahead, especially to our US colleagues to celebrate a peaceful, inclusive and joyful 4th of July !
    With my very best,


    Christel


    Issues, interpretation and reasoning: 

    1- Issue 1: Consistent results obtained between a couple of runs showing a rather high final DE, that however does not seem to accurately reflect the change in the %R induced by the test
    I went back to re-explore some of the fundamental basics in color science, especially how CIE La*b* coordinates are calculated from the tristimulus value to better understand the potential limit of application of the proposed computing. 

    a- For reference, I used the equations provided by the website indicated below:
    image.png
    To ease the reading I copied the equations alongside the respective conditions, understanding that I have focused working on the one related to L* considering my interest in testing dark colors.
    image.png

    b- I have then calculated the limit of initial L* under which traditional equations used in color sciences to calculate La*b* and successive DE.
    Solving the equation [(L*+ 16)/116]3 < 0.008856 , I have deduced that caution should particularly be applied when interpreting MFT results obtained on a color with an initial L* < 25 

    Do you think that it would make sense and be useful to consider using such a threshold for data interpretation ?

    c- For those values, it may be beneficial to apply the set of equation provided below ( from the same site):
    image.png
    d- Furthermore, this may be worth integrating into the spectral viewer, check and compare the results obtained to assess if it helps achieve a stronger alignment between DE obtained and induced change in %R. 
    2- Issue 2: Successive runs among which some show abnormal super high Delta E are found. 
    I interpret such a situation as highlighting the impact a measurement error, even though small, can have on a signal as low as the ones characterising a very dark color. 
    I am not sure much more can be done so I usually dismiss the run and not use the obtained result.


     



  • 2.  RE: Testing very dark colours

    Posted 08-18-2025 02:29

    Dear Christel,

    Apologies for the delayed response.

    The measurement of dark colors has always been an issue due to low signal to the spectrometer which can then be more easily impacted by electrical noise or stray light. For this reason, I've generally steered towards the assessment of samples that are medium to light density when available. For dark samples, you might consider frequent dark and light calibrations to increase accuracy and analysis in a dark room to reduce ancillary light.

    Regarding your two issues, I think it would be helpful to share spectra and the resulting colorimetry data. For the two situations you described, what constitutes a "high DE" (issue 1: consistent results that do not reflect change in %R) and an "abnormal super high DE" (issue 2: only observed in some runs)?

    It is an interesting idea to determine a lower L* limit below which we need to be cautious in interpreting our MFT results. However, your suggestion of a lower L* limit of 25 seems high to me, as I would expect we should still be able to get repeatable results at that level. (Note that when I solve your equation for L*, I get a value of 8.) I must admit that I'm unsure about the use of the equations for this purpose, and might need you to walk me through your rationale a bit more. We might also consult our color science colleagues!

    Alternatively, we could approach the issue experimentally. For example, we can identify a set of gray scale ceramic tiles with decreasing reflectance percentages (i.e., decreasing L* values) which could then be tested by different MFT users to assess the measurement consistency of each given setup and protocol. Of course, we can add additional samples, such as BW standards, to expand our insights into the performance of our MFTs.

    Happy to discuss further, and I promise I'll respond faster next time!



    ------------------------------
    Vincent Laudato Beltran
    Scientist, Getty Conservation Institute
    Chair, MFT-IDG
    vbeltran@getty.edu
    ------------------------------



  • 3.  RE: Testing very dark colours

    Posted 08-20-2025 14:14
    Dear Vincent,

    Thank you so very much for your reply and no need to apologize, we are all rather busy and doing our best. I am thankful you are answering.

    Regarding the spectra, I will let Esther NG, my former colleague from HCC in Singapore and a member of the MFT group, to share them with you. ( be assured that I have consulted her before writing this post). 
    I indeed wrote my note on this issue while Esther and I were discussing some issues she was facing while testing photographs for an extremely interesting research project she is working on. I wanted to first receive some critical feedback from the community before advising her to change her routine when testing dark colors. This ended up to be a good initiative afterall as it enabled catching a gross mistake of mine while computing the numbers ! (I am soooooo ashamed but also grateful, Vincent, you checked and corrected it. I agree with you that the threshold should be 8 ( or perhaps 10 for more security ) and not 25 as initially written!

    I am glad, though, that the idea of determining a lower threshold seems worth considering further. I would be very interested in hearing back from the consultation with color science colleagues on what would be the best approach to tackle this recurrent issue. Your proposed experimental protocol also makes sense to me and I would be interested in reading the results in case colleagues are willing to test it.

    Thank you once again for your consideration and thorough answer,

    With my very best wishes as always!

    Christel

    PS: Thank you, Esther, for agreeing to share the spectra alongside most relevant information on your project with the MFT group.
















  • 4.  RE: Testing very dark colours

    Posted 08-26-2025 02:19

    Dear Christel and Vincent,

    Thank you for the interesting discussion. Happy to contribute some data and spectra for further discussion.

    A bit of background. I have been testing the black on three Fuji Instant dye diffusion transfer photographs (Fuji FP100c). For each of the photographs, I tested three areas of black and between the tests, ran dark and white calibration. For the first two photographs, the L values of the blacks ranged above 10 to about 13, the DE values were quite consistent and the reflectance curves didn't register any big change. Please see attached data and fading/ colour shift curve of example 1. I think this example would belong to issue 1 that Christel highlighted. I'm interested to know whether the results are valid, given that there is consistency, DE values are high and yet the reflectance curves don't show a significant change. 

    For the third photograph, please see attached example 2. The L values of the three black areas tested were below 10 and the three tests yielded very different results. Surely the run of BLK 4.3 shows the limitation of the spectrophotometer and belongs to issue 2 that Christel highlighted? 

    Looking forward to hear your opinions, to see whether I missed out something and can improve my mft practice and interpretation in some way. Many thanks.

    Regards,

    Esther



    ------------------------------
    Esther Ng
    Paper and Photograph Conservator
    Heritage Conservation Centre
    Singapore
    ------------------------------

    Attachment(s)

    xlsx
    Example 1.xlsx   451 KB 1 version
    xlsx
    Example 2.xlsx   273 KB 1 version


  • 5.  RE: Testing very dark colours

    Posted 09-09-2025 05:13

    Thanks for sharing your data, Esther!

    In your first example, the consistency of the data (including the similar starting and ending CIELAB values) and smoothness of the curves suggests to me that the measured change in the dark color is real (though Christel's concern about testing of low L* colors remains an interesting point.) While the initial and final spectra look similar, there are some small differences particularly at wavelengths below 480nm and above 660nm. Given that their Blue Wool equivalence is close to BW1, are you able to see any color differences in the areas where you conducted tests?

    For the second example, the data is more inconsistent. The first thing I noticed was the very different starting a* values for BLK 4.1 (2.48), BLK 4.2 (-40.31), and BLK 4.3 (5.19), as if BLK 4.2 was a different color (though this may difficult to see given its darkness). Also, the jump in a* for BLK 4.3 from minute 1 (8.86) to minute 2 (-33.36) suggests to me that the sample may have moved during this interval.

    Not sure how easy it is to do, but an alternative test could be to expose mock-up samples of these dark colors - with half covered by foil - in a light box for an extended period. The edge comparison of the exposed and covered areas and their similarity (or not) to the MFT results would be interesting!



    ------------------------------
    Vincent Laudato Beltran
    Scientist, Getty Conservation Institute
    Chair, MFT-IDG
    vbeltran@getty.edu
    ------------------------------