Education & Training Committee

About Us

We promote the continuing education and professional development of AIC’s members. We also support opportunities to engage members with allied professionals and diverse public audiences. We do this in consultation with the AIC Board Director of Professional Education and the FAIC Education Manager as well as all Specialty Groups and Networks.

What We Do

  • Evaluate professional development proposals, reviews individual grant and scholarship applications, and comments on education-related resources produced by AIC. This work is guided by established rubrics and our strategic plan priorities.
  • Provide advice and direction for strategic planning related to long- and short-term educational goals. Priorities are established yearly to reflect identified membership needs, organizational requirements, and individual committee member interests.
  • Encourage professional development by strengthening current programs, increasing opportunities for related grants and scholarships, and expanding relevant online and print resources such as how to Become a Conservator.
  • Assist in the development and evaluation of continuing education programs, specifically targeting opportunities to strengthen career-wide leadership skills and specialty training.
  • Collaborate with all Specialty Groups and Networks to encourage individual professional development, promote equity and inclusion, as well as support participation by emerging conservators in national and international communities. Ongoing collaborations are established with the Emerging Conservation Professionals Network and the Equity & Inclusion Committee.

Propose A Workshop

Help us develop high-quality professional development programs to enhance continuing education for conservation professionals.

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Members

Members serves an initial three-year term, renewable for a second three-year term. Two Advisory Members serve without a term limit.

Emily Lynch

Emily Lynch

Chair (2026-2027)

Emily Lynch is currently the Conservator for Special Collections at Columbia University Libraries. She has previously held positions at the Morgan Library & Museum and the Huntington Library, Art Museum, and Botanical Gardens, in addition to completing internships at Harvard Library’s Weissman Preservation Center, the Folger Shakespeare Library, the New-York Historical Society, and the American Museum of Natural History. Her treatment experience ranges from medieval manuscripts, early printed books, and Islamic manuscripts to modern and archival collections and architectural drawings. Emily is also actively involved with the Museum Pests Working Group and is currently on the Steering Committee for Art Bio Matters, in addition to serving as Vice Chair for the Education & Training Committee (ETC) of the American Institute for Conservation (AIC). Emily received her B.A. from Dartmouth College with a double major in astronomy/physics and art history. She also earned an MA and Advanced Certificate in art history and conservation from the Conservation Center at the Institute of Fine Arts at New York University.

Jessica Chasen

Vice Chair (2026-2027)

Jessica Chasen is an associate conservator at the Los Angeles County Museum of Art where she works on materials from across the museum's encyclopedic collection and on a wide range of traveling exhibitions. She previously worked as an assistant conservator in Decorative Arts and Sculpture Conservation at the J. Paul Getty Museum and in Science at the Getty Conservation Institute. Jessica is a 2017 graduate of the Winterthur/University of Delaware Program in Art Conservation with a specialization in objects conservation and a minor in painted surfaces. Her graduate training included internships at the Rijksmuseum, the Museum of Modern Art, and the Brooklyn Museum after which she spent a post-graduate year as an intern at the Getty. Jessica’s interests include the analysis of Asian lacquer and its European imitations, the treatment of modern sculpture and contemporary design objects, and the use of aqueous cleaning systems.

Olivia Andreini

Olivia (Andreini) van de Star

Secretary (2025-2028)

Livi (Andreini) van de Star is a textile conservator and founder of a private practice based in Utah, specializing in the treatment and preservation of textile and mixed-media cultural heritage. She began her career as an Interdisciplinary Fellow at the Los Angeles County Museum of Art (LACMA) and later served as Assistant Textile Conservator at the Autry Museum of the American West. Livi has treated objects and prepared exhibitions for prominent institutions such as the Rijksmuseum Amsterdam, Stedelijk Museum Amsterdam, Museum of African American Art (Los Angeles), Kunstmuseum Den Haag, the National Holocaust Museum, and other notable museums and cultural institutions across the U.S. and Europe.

She holds a Master of Science in Conservation and Restoration of Cultural Heritage from the University of Amsterdam and a Bachelor’s degree in Art History from Wake Forest University. Livi currently serves on the inaugural Programs Committee for the Textile Specialty Group (TSG) and on the American Institute for Conservation’s Education & Training Committee. She is committed to advancing sustainable conservation practices, innovation, and inclusive mentorship to support conservation professionals at all career levels.

Alexa Beller

Alexa Beller

Member (2025-2028)

Alexa is a Paintings Conservator at Midwest Art Conservation Center. Ms. Beller joined MACC after completing a National Endowment for the Humanities Paintings Conservation Fellowship at the Chrysler Museum of Art in Norfolk, Virginia. Prior, she completed internships at the Isabella Stewart Gardner Museum, Gianfranco Pocobene Studio, the department of the Conservation of Religious and Civil Art of the City of Paris, the Western Center for the Conservation of Fine Arts, and in the private practice of Ria German-Carter. Her experience is wide-ranging including Italian Renaissance panels, 19th-century French murals, early American portraits, and 20th-century mixed media paintings. Ms. Beller holds a Master of Science in Conservation from the Winterthur/University of Delaware Program in Art Conservation as well as a Bachelor of Arts and a Bachelor of Fine Arts from the University of Illinois Urbana-Champaign. She is a Professional Member of the American Institute for Conservation of Historic & Artistic Works and the Paintings Specialty Group.

Deena Engel

Member (2026-2029)

Deena Engel Clinical Professor Emerita in the Department of Computer Science at the Courant Institute of Mathematical Sciences of New York University.

Emily Hamilton

Member (2026-2029)

Emily Hamilton is the Assistant Professor of Objects Conservation at SUNY Buffalo State. Prior to this role, she worked as an objects conservator at the San Francisco Museum of Modern Art, the Saint Louis Art Museum, and the Museum of Modern Art. Emily earned a B.A. in Art History from Reed College and an M.A. and Certificate of Advanced Study in Art Conservation from SUNY Buffalo State College. She served as an editor for the AIC Objects Specialty Group Postprints for eight years, was a co-organizer of the conference TechFocus IV: Caring for 3D-Printed Art, and is currently a chapter editor for the upcoming publication Caring for Plant Based Material Culture: A Conservation Handbook. Her interests include community-engaged and collaborative practice, large-scale sculpture and installation works, and engaging with students in their diverse areas of research.

Hsiang-Ting Hung

Member (2026-2029)

Hsiang-Ting Hung is currently a conservation student at IFA, NYU, specializing in painting. She was inspired to become a painting conservator while researching Frida Kahlo in an art history study. Since then, there has been no looking back! She is also an illustrator, and her favorite thing is to stay in a café and sketch all the details inside.

Ann C. Kearney

Member (2026-2029)

Ann Kearney is the Coordinator of Preservation Services at the University at Albany. She has held this position since January, 2009. She began her work in the field as the Associate Conservator at Case Western Reserve University in Cleveland, Ohio. In 1987, she left this position to expand her private conservation practice. Over the next twenty years, she treated items from private collectors as well as from Cleveland Public Library, Kent State University Libraries and the University of Akron Libraries. She conducted training programs and workshops for these libraries and for other members of the Ohio Preservation Council. She also served as a Continuing Education instructor and, in 2007-2008, as an adjunct faculty member at the Cleveland Institute of Art. She holds a Master of Science in Information Science from the University at Albany, and studied bookbinding and paper conservation under a Fulbright Grant at Camberwell College of Art and Crafts in London, England. In addition, she obtained a Bachelor of Fine Arts in Drawing from the Cleveland Institute of Art, and a Bachelor of Arts in English from Rosemont College. She is a Professional Member of the American Institute for Conservation and an active member of the American Library Association.

Jacquelyn "Jackie" Peterson-Grace

Member (2026-2029)

Jacquelyn Peterson-Grace (she/her) is an assistant professor in the fashion and textile studies graduate program at the Fashion Institute of Technology. She was previously the associate conservator of textiles at The Colonial Williamsburg Foundation. As a graduate fellow, she gained experience at the Victoria & Albert Museum, the Philadelphia Museum of Art, and Peebles Island Resource Center. Her pre-program internship sites included the textile conservation labs at Newfields/Indianapolis Museum of Art and the Smithsonian National Museum of American History. She also worked closely with the collections staff at the Tuol Sleng Genocide Museum in Cambodia, teaching collections care practices and helping to establish textile preservation protocols. She holds a BSc in conservation studies from Marist College and an MSc from the Winterthur/University of Delaware Program in Art Conservation with concentrations in textile and preventive conservation. Jacquelyn served as the co-coordinator for AIC’s textile conservation group Wiki and as publications chair for the Virginia Conservation Association.

Liora Mael

Member (2026-2029)

Dr. Liora Mael (she/her) joined the Department of Art Conservation as a post-doctoral researcher centered in the Winterthur Museum Scientific Research and Analysis Lab. She contributes to the conservation science curriculum at both the undergraduate and graduate levels. Liora received a PhD from the University of California, San Diego in Analytical Chemistry. Her research interests include indoor air quality and chemistry as well as the sustainability of environmental controls in cultural heritage spaces.

Emma Schmitt

Member (2026-2029)

Emma Schmitt is a textile conservator in Washington, DC.

Maggie Wessling

Margaret "Maggie" Wessling

Board Liaison (2026-2029)

Margaret (Maggie) Wessling is a Senior Photograph Conservator at the National Gallery of Art. Maggie graduated from the Conservation Center at NYU in 2014 with a specialization in photographs. She previously worked at the National Museum of African American History and Culture, the Museum of Fine Arts, Boston, and the Northeast Document Conservation Center since completing her conservation degree.

Sarah Saetren

Sarah Saetren

Staff Liaison

Sarah joined FAIC in 2015 to support the array of professional development and scholarship programming offered by the Foundation. Sarah graduated from Johns Hopkins University in 2014 with a MA in Museum Studies. She has worked with a variety of arts organizations including Levine Music, Hillwood Museum, Estate and Gardens, Smithsonian Early Enrichment Center, and Bay Area Discovery Museum. She holds a BFA in Art Education from the University of Arizona, with a studio emphasis in photography. Sarah currently lives in Oslo, Norway, and enjoys the outdoors.

Volunteer Opportunity

If you are an AIC member and interested in joining this committee, see if a position is open. 

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