Call for Submissions

Update on Submissions

We received 560 abstracts for our joint conference. This is well above our average number of submissions.

Reviewer teams are still selecting abstracts. We hope to send our decision letters by the end of the week of Nov. 17. All corresponding authors will receive an email with this information about the delay. 

—Bonnie, Abed, Kyna, November 16, 2025

Conservation at the Intersection of Innovation and Tradition | Conservation et restauration : entre innovation et tradition

Call Status: Abstract Submission Portal is  Closed 

Deadline: September 30

Submission Instructions

Use the links below to submit your abstract. The deadline to submit a presentation or poster abstract is September 30, 2025. You will need to create an account with Oxford Abstracts to access the forms. You can begin a submission and save it to return later. However, you must complete the form and submit it for your abstract or proposal to be considered. The review process and helpful guides are at the bottom of this page.

We have three submission forms:

Please note: If you are proposing a presentation for a specialty or interest session, select "Specialty or Interest Session" for the session choices, then select the appropriate topics to tag your abstract for the reviewers. There are more than 20 concurrent and general session topics listed below; we will have these sessions on each day of the conference, so please explore these themes to see if your paper matches one of them.

Additionally, the desired length of the presentation will be noted by the session chairs during planning. We welcome presentations that are varied lengths to encourage more information sharing and collaboration.

We welcome abstracts that focus on any of the following topics, specialties, or interests in relation to the conservation and preservation of cultural heritage. You may choose a general or concurrent session from the themes listed next, or select "specialty or interest session" or "tips session" and select from the following options to tag your abstract for the reviewers.

  • Advocacy, Outreach, and/or Activism
  • Archaeological Heritage
  • Architecture
  • Book & Paper
  • Career Stages and Related Concerns
  • Cleaning (Techniques, Research)
  • Collection Storage
  • Conservators in Private Practice
  • Contemporary Art
  • Data & Modeling (including technology and AI)
  • Diversity & Equity
  • Education
  • Electronic Media
  • Emergency Planning & Response
  • Ethics
  • Health and Safety
  • Imaging
  • Materials Testing & Identification
  • Objects
  • Paintings
  • Photographic Materials
  • Preventive Care
  • Scientific Research
  • Sustainability/Climate Change
  • Technical Studies
  • Textiles
  • Tips
  • Treatment
  • Wooden Artifacts

“Neutrality” and Censorship as Barriers to Practice in Conservation

Over the past decade, many discussions and case studies in conservation have demonstrated that conservation and conservators are not neutral or objective. These conversations call for a shift from an object-based to a people-based approach. Yet many conservators and cultural heritage institutions continue to cling to outdated models that perpetuate the status quo. Cultural heritage has never existed in a vacuum—it is inherently tied to people. As such, global politics directly affect cultural heritage, its preservation, and the wellbeing of its stewards. Speaking out for humanity and the preservation of life and culture, and against genocide and injustice, is increasingly met with censorship, suspensions, firings, and threats to safety. Relatedly, diversity, equity, inclusion, and accessibility efforts in educational and professional institutions are being dismantled. Federal workers face public vilification and job insecurity. Immigration policies create barriers to employment and limit access to professional development opportunities, including attending conferences like this one. Cultural heritage workers must navigate and innovate within this political terrain. This call for papers seeks diverse perspectives on how global politics impact our field—including professional advancement, education, diversity, and mental health—and on the tools, coalitions, and strategies we are using to confront these challenges. 

AI and Conservation: Current Uses and Future Directions

Although the field of artificial intelligence (AI) is over fifty years old, advancing technology only recently has made it a nearly inescapable part of our everyday lives. Yet within our AIC/CAC communities, we have not begun to discuss its impact on the many facets of our work, including but not limited to: documentation, treatment, research and scholarship, building community. We know cultural heritage practitioners have begun to create AI models to restore artworks and reveal hidden elements. How else are practitioners using AI in their cultural heritage work? What ethical frameworks exist to guide our engagement? How has AI enhanced our work? What challenges does it pose for us to tackle? On a human level, what emotions does AI raise for you?

As we gather together in Montreal and online to consider "Conservation at the Intersection of Innovation and Tradition," this general session will bring together cultural heritage practitioners and researchers who have been engaging with these questions for a series of brief talks followed by discussion. The goal of the session will be to leave with an understanding of how AI is currently being used and thought about across the AIC/CAC communities and future directions for exploration.

Topics may include:

  • Case studies of using AI for daily work, such as writing, documentation, and searching for information
  • Case studies of using AI (machine learning, deep learning or LLMs) for conservation treatment or conservation science
  • Ethical frameworks or philosophical questions for applying AI to cultural heritage work
  • Results from current AI+cultural heritage surveys

Please feel free to reach out to us with potential ideas or questions!

  • Chongwen Liu, PhD Candidate, UCLA/Getty Program in the Conservation of Cultural Heritage
  • Eliza Spaulding, Helen H. Glaser Senior Paper Conservator, Weissman Preservation Center, Harvard Library

Challenges in the Care and Preservation of Conservators

Conservators have amazing skills in the care of cultural heritage. But how does this translate into the care of ourselves? Our physical and mental well-being are greatly impacted by our work. This impact manifests in different ways over our career. From trauma exposure, disaster response, pregnancy, depression, existing health conditions, and burnout, we feel our work in every part of our bodies. At any moment, these experiences can either exacerbate existing health conditions or turn into temporary or permanent disabilities. The variabilities in mental and physical disabilities are much like the variabilities in art - the possibilities are endless.

The goal of this session is to foster discourse on the mental and physical challenges conservators face and give space to share our experiences. An introduction will provide a framework to ground the session by highlighting how widely encompassing disability and its challenges are, a commonly accepted definition of Ableism, an understanding of disability inclusion and how it relates to DEI, and the state of ever evolving legal protections. The session will conclude with a look at the ways we can go beyond just ergonomics by utilizing available tools, apps, flexible working styles, and occupational therapy to improve working conditions, as well as how mindfulness can be applied to better support our bodies and minds. The themes of this session will continue in a separate, collaborative luncheon with the Sustainability Committee on the many facets of mindful practice in coping with disability, guilt, trauma, burnout, and much more.

The Health & Safety Network welcome abstracts that focus on our stories centering around mental and physical health in conservation. Topics can range from the mental stress of graduate school and starting a career, working with visible and invisible disabilities, the impact of disaster salvage on heritage responders, and what we need to do to progress towards a more inclusive and supportive community.

The organizers of this panel are permanently, either physically or neurologically, disabled and will openly discuss their personal disabilities during the session. We understand this is a sensitive topic and are happy to discuss with potential presenters how we can best represent their experiences comfortably and confidentially. 

Challenges to Specializations and Cross-Collaborative Approaches to Integrative Conservation Practice

In some countries, conservation training emphasizes broad material knowledge and greater fluidity across specialties. In contrast, the current model in the United States and Canada promotes deep specialization in singular material types, resulting in highly defined but often narrowly focused skill sets. This approach is reflected in conservation lab spaces, academic programs, professional development opportunities, and publications, where cross-specialty collaboration is limited.

However, the complex, multi-material nature of many objects routinely challenges this model. These objects can be both daunting and frequent in conservation practice, as they can require a range of skills. Museums commonly house a diverse array of materials, and libraries, archives, and other cultural heritage institutions are increasingly evolving in a similar direction. These complexities highlight the need for greater collaboration across specialties—opportunities that allow conservators to broaden their skillsets and provide more informed, holistic care for collections.

This session invites presentations that explore integrative approaches to conservation, with a particular focus on cross-specialty collaboration in treatment, training, and research. We welcome case studies, institutional models, and critical reflections that address the limitations of our current specialization framework, and propose strategies to foster more connected and adaptable conservation practices.

Colonization and Broader Values that Inform the Management of Zoological Collections

The creation of zoological collections featuring stuffed animals is closely associated with the colonial period. Historically, taxidermy, particularly of game animals, was primarily intended to showcase and promote species from various "exotic" colonies as trophies for colonizers. Over time, these collections have also been utilized by the scientific community as evidence of the biodiversity within the world's fauna and ecosystems. They provided visibility for these animals to the general public, often displayed in dioramas representing their natural habitats.

Today, the rapid advancements in audiovisual and digital information, along with improved transportation, have made knowledge about ecosystems and their biological communities accessible to both scientists and the general public. Furthermore, societal values have shifted, leading us to view ourselves not as separate from nature but as an integral part of it. This change has fostered a growing recognition of animal rights and their essential role in contemporary societies. It's worth noting that taxidermy, particularly of small animals, remains a traditional practice in some South American communities, contributing to local livelihoods within the broader context of domestic tourism.

Given these developments, it is essential to reflect on the role of conservation, as well as the display and interpretation of stuffed animals in natural history museums. We must revisit ethical and moral issues in a manner akin to those raised regarding the conservation and management of human remains. Additionally, spirit collections are a significant aspect of zoological collections, offering valuable insights for bioscientists. However, the focus of relevant research has shifted from a macro level—such as biometrics and description—to micro and nano levels, including genetics and molecular biology. Consequently, conservation planning for these collections has increasingly aimed at preserving the biomolecules of biological specimens. These considerations indicate a pressing need to review not only the techniques used for conservation but also the broader values that inform the management of zoological collections.

Community Consensus: Understanding and Implementing Fire Safety

Fire has a devastating effect on cultural heritage collections. Our mandate to protect historic sites and collections complicates management of prevention and response. Preventing fire requires collaboration among a wide range of collection care professionals, first responders, and code enforcers. We employ services of outside contractors and consultants who must follow state, local, and national regulations. This session will focus on best practice for fire prevention, minimizing damage if the worst occurs, triage and recovery efforts. We welcome submissions on the following topics: 

  • Fire and building code
  • suppression and detection systems
  • operational fire safety practices
  • minimizing wildfire threats
  • preparedness and recovery
  • case studies of fire and response.

Contemporary Art: Stepping Outside Your Comfort Zone - Electronic Media and Paintings

We welcome submissions related to dismantling disciplinary boundaries. For the first part of this two-block session, these topics may include: approaches and case studies of working with outside experts, vendors, fabricators, contractors and how that knowledge/relationship impacted the understanding and/or long-term care of an artwork; stepping outside of your comfort zone in terms of caring for artworks with challenging/unfamiliar technology or materials; and cross-disciplinary and cross-departmental collaborations in the treatment, display and/or documentation of contemporary art/electronic media. 

The second block of this session will highlight how conservators navigate new materials and ethical considerations often at play with contemporary art, specifically when dealing with paintings. Topics may include novel approaches to the cleaning and stabilization of complex painted surfaces, collaborations with living artists and their estates to preserve intent and materiality, and interdisciplinary case studies. 

Coping with Loss in Conservation and Collection Care

Loss is inevitable. From autocatalytic deterioration, to installations intended to return to the earth, to obsolete technologies - inherent loss bridges all specialties in cultural heritage preservation. Efforts towards mindfulness of environmental, personal, and institutional sustainability remind us that maintaining perpetual condition has lasting effects that can be opposed to the ethics of our broader work and artists’ vision. Over-packed storage, questionable provenance, and federal guidelines drive repatriation and deaccession efforts; collections and archives are impacted by disassociation, myopic perspectives, and barriers to accessibility; our training, support, and community relationships are often enabled and maintained by tenuous funding, term-limited contracts, and institutional priorities.

How do we, as caretakers, cope with these inevitabilities? When is lost information, insight, or connection to context catastrophic, and when should we choose to accept significant alterations? When we can no longer prevent physical loss, how do we thoughtfully prepare items and their networks for the next stage? Once a piece of cultural heritage is considered lost, what happens to the people committed to its care? After extensive training on the prevention of loss, what does a shift to caretaking during loss look like? What role does personal loss play in our professional lives?

In this session, we invite colleagues to submit abstracts discussing personal, community, and institutional responses to recognizing, accepting, and coping with all elements of loss - sharing cross-disciplinary support and wisdom on approaching these realities that touch us all.

Creating Multiple, Amazing Conservation Education Pathways

Of course we can, but can we? Conservators are problem solvers. Without a doubt, we can create multiple, amazing conservation education pathways: Pathways that don’t require a graduate degree. Pathways that allow people to learn without leaving their hometown. Pathways that allow people to add a few more skills to many that already have from years as an artist. Pathways that… Doubt comes in when considering the conservation field evolving into a space that welcomes and celebrates the people who come to conservation in all these ways. What does our field look like when it is a community that continues to celebrate and include the graduate school, three-legged stool trained conservator, and the conservation scientist as well as all of those trained in these new ways? This session invites visionary papers on both changes. Papers that share ideas about new education pathways that can be developed and/or papers that share a vision of how we get to a field where no one feels like a second-class citizen. Bring your vision. Let’s inspire each other. 

Cross-Specialty Conversations About Mold: "Culturing" a Community of Practice

Mold affects nearly all cultural heritage collections regardless of climate, geography, or resources. Outbreaks threaten the integrity of collections and can jeopardize the health and safety of everyone who interacts with them. Although important research and new resources have emerged since Mary-Lou Florian’s influential publication nearly twenty years ago, knowledge and techniques for mold prevention, detection, and remediation remain fragmented across specialties.

Building on momentum from the 2025 AIC Annual Meeting Library and Archives Conservation Discussion Group, this session seeks to bridge this gap by encouraging cross-specialty conversations about mold in heritage collections. Participants across disciplines are invited to share techniques, case studies, and emerging protocols, highlighting both unique challenges and shared concerns.

With mold risks increasing due to climate change, resulting in more frequent water events and sustained high humidity, understanding a wide range of approaches is increasingly significant. The session hopes to feature lightning-round talks presenting current research, practical strategies, and ongoing challenges, followed by a moderated panel discussion to highlight common themes, engage with the audience, identify future directions, and collaborative solutions.

Fire-Retardant Coatings and Artworks

This cross-disciplinary panel will explore the application of fire-retardant coatings on artworks—both as part of their original fabrication and as post-production treatments. Drawing on perspectives from industry, science, and conservation, the session will examine the material impact of these coatings and their long-term implications for the preservation, analysis, and treatment of diverse types of art.

Conservators working with built heritage, textiles, sculpture, wood, film, and other materials are invited to share their experiences and insights. The session organizers weclome submissions of any length on fire retardant coatings to create a well-rounded discussion representing a wide range of expertise and perspectives.

Key topics may include:

  • The rationale for applying fire-retardant coatings (e.g., compliance with building codes, exhibition requirements, or artist intent)
  • Whether these coatings require different preventive conservation strategies
  • Methods for identifying and analyzing fire-retardant materials in artworks
  • Case studies involving deterioration, conservation challenges, or unexpected material interactions
  • Practical and ethical decision-making in treating fire-retardant-coated works

We would like to feature talks and flash presentations from those in the fire protection industry, scientists, and conservators with hands-on experience with artworks that have an intumescent or fire-retardant coating. The goal is to share strategies for assessment, documentation, and treatment, and to encourage collaboration across disciplines in addressing this relevant and frequently under-discussed issue within the conservation field.

Laser Cleaning Applications for Conservation

For over fifty years, laser technology has been essential in conservation, providing a safe and precise method for cleaning a wide variety of surfaces without compromising their integrity. While initial applications focused on stone and metal, today lasers are increasingly applied to diverse materials, including painted surfaces, textiles, and organic substrates.

Following the success of a workshop at the 2024 AIC Annual Meeting and an engaging session in 2025, it is clear that the conservation community has a growing interest in this evolving technology. The newly formed Laser Discussion Group highlights the demand for a broader platform to share knowledge, address questions, and evaluate both the advantages and limitations of laser cleaning in conservation practices.

This proposed session aims to provide that platform by exploring the questions: How can lasers advance cleaning practices across conservation specialties, and what research is still needed to support their responsible and effective use? To address these questions, the session will welcome contributions from all conservation specialties. By showcasing case studies, research findings, and practical applications, this session seeks to broaden access to knowledge, foster interdisciplinary dialogue, and empower conservators to consider the laser cleaning applications in their practice.

Lead: A Collection Component - Hazard, Handling, Access, and Remediation

Lead, a well-known toxin, is a common component in many collection items such as metal sculptures, stained glass, painting grounds, components in military and industrial equipment, painted surfaces, archaeological collections, and others. While our understanding of the breadth of lead in cultural heritage items is growing, actual exposure risks are dependent on the task performed, the condition of the object, and site environmental conditions. Collection care professionals who work with and handle items containing lead often work within the constraints of local and federal law to reduce the potential for exposure and ensure safe environmental conditions.

This joint session between the Preventive Care Network and the Objects Specialty Group will acquaint participants with the range of collections containing lead as an intrinsic component and will facilitate discussions among conservators about hazard, handling, access, and remediation. Panelists will present brief case studies (7 minutes each) to provide examples of risk management, exposure assessments, and handling protocols used to control risks associated with lead exposure. Discussion will follow the presentations.

Examples include:

  • Health and safety review
  • Stained glass
  • Painting grounds
  • Painted surfaces and removal (architectural)
  • Painted surfaces and removal (object)
  • Archaeological objects
  • Military and industrial equipment components

Looking Back to Move Forward: Revisiting and Rethinking Past Treatments

Every conservation treatment is shaped by the knowledge, tools, and materials available at the time. As techniques evolve and scientific understanding deepens, treatments once considered best practice can reveal unexpected strengths or unanticipated vulnerabilities when revisited decades later. This session will explore the lessons learned from re-examining past conservation interventions and biases, focusing on how they have aged, how they influence an object’s current condition, and how contemporary approaches might yield different outcomes.

We invite presentations that analyze case studies across a range of materials and contexts, whether a treatment has held up remarkably well or presented new challenges over time. Topics may include changes in material behavior, the long-term stability of adhesives and fills, the effects of environmental conditions, and the role of improved imaging or analytical technologies in reassessing earlier work. Speakers may also address the ethical dimensions of altering or reversing older treatments and the decision-making processes that balance historical preservation with current best practices.

By critically reflecting on our professional past, this session aims to strengthen our collective ability to innovate responsibly, integrating the wisdom of tradition with the possibilities of new technologies to ensure the long-term care of cultural heritage.

More than Two Hands: Storage Solutions

Storage of oversized, flexible, or unusually shaped items requires vision and creativity for successful realization. Special considerations such as culturally specific requirements, health and safety concerns, and the ability to safely access individual items often provide parameters that guide decision-making in devising effective storage solutions.

For this session, we are soliciting submissions that present storage solutions for oversized textiles and other objects that span large surfaces, three-dimensional objects that do not fit neatly into traditional storage drawers or cabinets, and flexible items that require support or unique solutions to allow safe handling. We hope these presentations will address solutions that have stood the test of time and collection use, as well as those that were carefully designed but resulted in unexpectedly difficult collection use situations. This cross-specialty session will encourage an exchange of ideas about storage solutions for diverse items such as oversized paintings, textiles mounted for exhibition, garments, woven plant materials, large items that cannot be safely flexed, and others.

National Heritage Responders: Communication, Connection, and Collaboration in Disaster Recovery

The National Heritage Responders (NHR) are a volunteer group of preservation professionals trained in cultural heritage disaster response and recovery. Active since 2007, responders monitor a 24/7 hotline, support on-site and virtual deployments to disaster-impacted areas, and promote outreach to communities in need. These volunteers represent a wide range of speciality backgrounds, geographic locations, and previous experiences.

Through this session, we seek to chronicle recent NHR work and demonstrate how the recovery of cultural heritage can shift depending on the affected community, extent and type of damage, and funding available. As volunteers external to these communities, NHRs focus on preserving physical collections and the built environment while recognizing that local bandwidth, priorities, and relationships may take precedence over what are considered “best practices” in our field. We invite panelists to discuss flexibility and collaboration in disaster recovery zones and consider how these efforts will evolve in a future without reliable government assistance. We hope to feature NHR involvement in the following: fire recovery; flooding and hurricane response; virtual deployments and hotline assistance; and reciprocal relationships with Heritage Emergency and Response Training (HEART) and Alliance for Response (AFR) groups.

Power, Authority, and Control: Aligning practice and policy with the evolving care of cultural heritage

Hosted by the Canadian Association for Conservation’s Reconciliation Working Group, this panel session brings together Indigenous and non-Indigenous cultural heritage practitioners to share collaborative projects that have led to meaningful change in procedures and policy development in conservation practice across Canada.

Through sharing both successful outcomes and ongoing challenges, panelists will highlight the central role of collaboration, care for both people and collections, and the importance of sustained relationship-building. The discussion will explore how the work of conservators and allied professionals can be guided and transformed by principles that support Indigenous justice, sovereignty, and self-determination.

Shifting Perspectives on Damage, Change, and Value

What counts as damage in cultural heritage and who gets to decide? This session explores boundaries between material change, damage, and value, revealing how museum policies can shift from the reduction of risk for material loss at all costs to the creation of value through increasing object access, visibility, and connection.

The conservation field often frames change as inherently negative. While scientific tools like acoustic emission monitoring and the microfading tester offer ever more precise ways to detect material change, recognizing that damage is a value-based judgment, rather than an objective outcome, becomes even more critical. Material change does not necessarily equate to loss; its meaning depends on cultural and historical contexts. Focusing on display and exhibitions, this session considers how conservation strategies—such as lighting guidelines, environmental parameters, and loan conditions—can be reframed as tools for sustainable and inclusive practice, drawing upon the varied perspectives on access, significance, and value from communities including Indigenous groups and museum professionals (conservators, curators, educators, lighting and exhibition designers).

By critically examining concepts like acceptable change, noticeable difference, and object lifetime, we aim to broaden the focus from “what we might lose” to include “what we have to gain.” In doing so, we reimagine conservation as being accountable not only to the mission of the institution, but also to the cultural meaning of the object and its connection to communities.

Small Tips, Big Helps: General Tips Session

Do you have a favorite tool, a clever mount-making technique, or a treatment solution that others might benefit from, even outside your specialty?

We are inviting submissions for short tips to be presented during a new general session designed to share practical, adaptable ideas across the full spectrum of conservation practice. This session will highlight quick, useful insights that can be applied by professionals working in all specialties. Contributions might include:

  • A go-to tool, material, or hack that has transformed your workflow
  • A treatment or preventive case study with cross specialty relevance
  • A practical lesson learned through experience

We welcome submissions from professionals at all career stages and from all specialties. Whether you are a student, a seasoned conservator, or work in allied fields, this is an opportunity to share your creativity and problem-solving approaches with the broader community. Favorite tips from past specialty group tip sessions are also invited to submit. Submissions should be concise (up to 7 minutes) and geared towards practical takeaways.

  • “My Tool Wishlist” – inexpensive or unexpected tools/supplies from outside the field that have become indispensable.
  • “Clever Workflow Planning” – small hacks that save time or improve efficiency in treatment or preventive workflows. 
  • “Lab Hacks” – modifications or space/time saving workarounds in the lab.
  • “Thinking Small” – miniature solutions that solve big problems.
  • “Upcycled Materials” – reusing or re-purposing materials in creative ways.
  • “From the Hardware Store” – supplies that weren’t designed for conservation but work perfectly.
  • “Unexpected Inspirations” – techniques borrowed from crafts, trades, cooking, etc. that translate to conservation.
  • “Digital Shortcuts” – software, apps, or tech hacks that improve documentation, project tracking, or collaboration.
  • “Quick Fixes” – fast, reliable solutions for common recurring problems.
  • “Across the Bench” – tools or treatments learned from one specialty adapted successfully to another.
  • “Workspace Zen” – tricks for organizing benches, carts, or shared spaces for smoother work.

To Sample or Not to Sample: Navigating Ethics, Context, and Scientific Needs in Conservation

Scientific analysis is central to understanding and preserving cultural heritage, yet conservation professionals often find themselves with a dilemma when selecting study methods, particularly when weighing the value of non-invasive techniques against the need for micro-sampling. This session invites participants to engage in dialogue across specialties about how we choose, justify, and communicate technical approaches around sampling of an object. 

Topics may include:

  • Case studies where sampling made a big difference—or where restraint proved more powerful.
  • The role of context sampling decisions, including scientific goals, institutional capacity, community priorities, and ethical frameworks.
  • Ethical decision-making: Who decides when to sample? What does consent look like in community-driven projects?
  • Approaches to working with sacred, contested, or community-held heritage. What does ethical stewardship look like in these cases? 
  • Sample curation: ownership and storage of samples, navigating consent, access, long-term use, and disposal of materials from culturally significant objects. 
  • Rethinking terminology in conservation science: Are terms like non-invasive, minimally invasive, or micro-invasive accurate, or potentially misleading? How re-examining our vocabulary might clarify methodologies and promote collaborations?

General Instructions for Specialty and Interest Abstracts

If you would like to be considered for a specialty or interest presentation that does not fit into a concurrent or general session theme, you may choose to select "Specialty or Interest Session" as your desired sessions, then make sure to "tag" your abstract with the correct subjects. Reviewers in those specialties will be assigned to your abstract.  

Below are specific joint sessions or narrow themes related to 1-2 specialties. 

Preservation of Archaeological Wooden Artifacts

The preservation of archaeological wooden artifacts brings together a wide range of challenges and opportunities, from excavation to long-term storage and display. These fragile materials demand careful planning, creative problem solving, and collaboration across specialties. This joint session, hosted by the Wooden Artifacts Group and the Archaeological Heritage Network, creates a shared space to explore how conservators, archaeologists, and collections professionals are working together to meet these challenges. Presenters will share practical case studies and innovative approaches, with special consideration given to talks that reflect the larger meeting theme of “Conservation at the Intersection of Innovation and Tradition.” Suggestions for topics include:

  • The treatment and care of waterlogged wood
  • Preservation and stabilization of built structures
  • Collaboration with traditional and knowledge holders and Indigenous communities
  • Repurposing/reinvention of tools, techniques, and technologies for use with archaeological wood

For questions about this session, contact WAG Program Chair Elly Davis at elly@ellydavis.com and the AHN Chair at AHN@culturalheritage.org. To submit your abstract for consideration, choose “Specialty or Interest Session” as your preferred sessions, then tag your subjects as both Archaeological Heritage and Wooden Artifacts.

Tools, Tips, and Trade-Offs: Analytical and interpretation solutions for traditional lab settings and resource-limited environments

As portable and on-site analytical technologies continue to evolve, conservation professionals are presented with an increasing variety of tools, each with unique strengths and limitations related to cost, accessibility, and data interpretation. This session invites speakers from all specialties to share concise and actionable insights highlighting ways to select the appropriate tool for the right question in diverse settings, ranging from well-equipped laboratories to field-based and resource-limited environments. Additionally, the session aims to foster dialogue on the effective, responsible, and inclusive application of evolving analytical technologies within the cultural heritage field.

Topics may include (but are not limited to): 

  • Creative approaches to fieldwork, cross-training, and data interpretation beyond the lab.
  • Identifying gaps in current methodologies and strategies to address them.
  • Integrating portable, site-based methods with cost-effective, innovative analytical tools.
  • Incorporating traditional and Indigenous knowledge to inform tool selection and methodology.

For questions about this session, contact RATS Program Chair Annette S. Ortiz Miranda at annette.ortiz@gmail.com. To submit your abstract for consideration, choose “Specialty or Interest Session” as your preferred sessions, then tag your subjects as both Scientific Research and Technical Studies, in addition to other related topics. 

General Instructions for Luncheon Abstracts

If you would like to be considered for a specific luncheon topic, please choose the title of the luncheon below as your desired sessions, then also "tag" your abstract with the correct subjects. Reviewers in those specialties will be assigned to your abstract.  

Below are the proposed luncheon sessions; note that attendees will be able to register for one luncheon as part of their meeting registration, so there will not be an additional cost to attend. These sessions will be from 12pm to 1:45pm on either Thursday, Friday, or Saturday during the conference. 

From The Kitchen to the Lab: Interdisciplinary Research on the Uses of Edible Materials in Art Making and Conservation

Note: This luncheon will be on Thursday, April 30. 

What do algae, eggs, fish, garlic, gums, potato, salts, soy, and sugar have in common? We know from various sources such as artists’ instruction manuals, oral accounts and scientific analysis that such edible materials and associated inedible parts are among the many ingredients that have been used throughout the ages and across cultures to make and conserve works of art in visible and invisible ways. These materials are employed by artists and artisans because they are readily available and/or because thrift and respectful relationship with the environment breeds ingenuity and minimal waste. They also, unsurprisingly, enter the realm of restoration-conservation for similar reasons.

Today, scientific advances in conservation and materials research have opened up new possibilities of more nuanced identification of organic components such as proteins and sugars in art works. And with the increasing advocacy in both art making and conservation for a shift to more sustainable practices, there is a renewed interest in finding new applications for such bio-materials in artistic production and conservation, often with input from scientists and engineers of different flavors.

This session seeks examples of interdisciplinary collaborations of conservators and conservation scientists with artists, historians, anthropologists, and/or traditional knowledge keepers, among others. These collaborations might draw inspiration from indigenous practices, historical recipes, modern food science, and engineering and technology. They may present experiments done with edible materials in innovative ways or historical recreations.They might confirm the presence in art works of materials described in historical sources that were hitherto invisible to conventional analytical techniques. Or, they could consider conservation issues arising from experimental uses of food in art. (This session complements one that will be held at the 2026 College Art Association meeting.)

  • The treatment and care of waterlogged wood
  • Preservation and stabilization of built structures
  • Collaboration with traditional and knowledge holders and Indigenous communities
  • Repurposing/reinvention of tools, techniques, and technologies for use with archaeological wood

For questions about this session, contact Rebecca Rushfield or Francesca Bewer

Giving and Receiving Feedback: from Peer Review to IRL

Conservation professionals in every job and at every career stage give professional feedback. We manage up to our bosses and faculty advisors; supervise employees, students, and interns; review journal articles, book manuscripts, and grant applications; and write book reviews. When done well, professional feedback increases motivation and engagement, enhances learning and development, gives insight into strengths and areas for growth, and helps clarify institutional and individual goals. When done badly, feedback can increase disengagement, dissatisfaction, and turnover; damage relationships and morale; create perceptions of inequity; risk litigation; or undermine goals. Yet the vast majority of us have never had training in how to do it well. And while we might commiserate with others in the midst of conducting performance reviews, struggling through comments by a picky reviewer, or trying to have a more productive relationship with an advisor or administrator, giving and receiving feedback is not something we regularly discuss in professional conservation settings.

This luncheon session is for anyone who has had a sleepless night after reading nasty comments from “Reader 2” and would like to be able to review journal articles more quickly and kindly, so that they never become a nasty “Reader 2” themselves; and/or who would like to have more productive and efficient meetings with their colleagues, advisors, or advisees.

Organizers for this session are Suzanne Davis and Jessica Walthew. Note that the organizers will be assembling the panel for this luncheon; if you have ideas or would like to present, please reach out to them directly.

Poster or Poster Plus Flash Presentation

We welcome posters on many topics of interest to our field, and will feature some posters in a 5-minute flash presentation with a large general audience. If you would like to present your research in this way, please select Poster with Flash Presentation as your desired presentation type, then Poster Session as your track.

Accepted posters will have a designated area in the Exhibit Hall and will be assigned a number. The Poster Session will be open only during Exhibit Hall hours: Wednesday at 5:30pm, Thursday from 10am to 5:30pm, and Friday from 10am to 5:30pm. 

There will be a designated time on Friday for the poster author Q&A in the Exhibit Hall. You will need to be near your poster to discuss your research with attendees. 

Please make sure you remove your poster before Friday at 5:30pm or it may be lost when the boards are taken back. 

"Conservation at the Intersection of Innovation and Tradition”

In the face of shifting political, social, ecological, economic, and technological landscapes, we find ourselves expanding the disciplinary boundaries of conservation in search of radical reinvention and clarity of purpose. For this meeting, we aim to create a generative space for exchange between the past and the future, acknowledging that continuity is not static, and bold and grounded experimentation is at the heart of honoring inherited legacies, which is essential for the sustainability of our field. We invite abstracts that explore how conservation practices can thrive at the edge of progress, experimentation, and reinvention with a through line of continuity, legacy, and community.

Abstracts are encouraged to address, but are certainly not limited to, the following themes:

1. Centering Indigenous and Local Priorities and Incorporating Traditional Caretaking into Contemporary Conservation Practices.

Topics highlighting approaches that honor sovereignty, cultural continuity, reconciliation, and restorative justice for indigenous communities globally, including:

  • Ensuring greater and unrestricted access to collections, archives, and decision-making processes, and supporting restorative justice initiatives that acknowledge colonial histories and promote ethical stewardship.

  • Elevating the conservation of immovable heritage, including sacred sites, landscapes, and place-based practices.

  • Integrating intended purpose—spiritual, functional, or ceremonial—into conservation, exhibition, and preservation strategies, and incorporating traditional methods and materials in conservation treatments

  • Confronting the strains that conflict and war place on the preservation of cultural heritage, the safety of practitioners, and the continuity of community memory and identity.


2. Reimagining Conservation Education

Sessions that reimagine how we teach, learn, and share across borders by:

  • Exploring new pedagogical and mentorship approaches, including community-led instruction, peer teaching, hybrid learning environments, and exposure programs at all levels.

  • Facilitating mutual learning across institutions, including outreach to programs and professionals in Central and South America, Southwest and East Asia, and the African continent, to foster more inclusive, reciprocal, and regionally grounded networks of exchange.


3. Scientific and Technical Analysis

Topics that push the boundaries of what conservation science can do—and who it serves, showcasing novel or state-of-the-art approaches to material characterization, treatment development, and the study of artist practices by: 

  • Critically examine the use of artificial intelligence in conservation and collections care, including its implications for access, authorship, treatment, labor, and sustainability, among other topics.

  • Studying diverse cultural objects and contexts, particularly those that are understudied or underrepresented in the literature and academic discourse.

  • Promoting accessible, low-cost, and portable methods to support private practitioners and under-resourced institutions.

  • Fostering a more fertile environment for advanced scientific exchange, encouraging collaboration across laboratories, regions, and disciplines to share methodologies, data, and insights.

  • Pushing the boundaries in the application of novel and tried preservation and conservation methods, materials, and treatments through a lens of environmental sustainability and ecoconsciousness. 


4. Dismantling Disciplinary Boundaries

Topics on practices that build bridges between roles, reshape professional hierarchies and demonstrate:

  • Restructuring conservation–curatorial relationships through more collaborative models of interpretation and decision-making.

  • Engaging with building engineers, management, exhibition designers, crate, frame, and case builders, scientists, curatorial staff, craftspeople, and artists, among other allied professionals, to better understand and act on exhibition or storage environment for collection care, including built and immovable heritage, with an emphasis on sustainable practices that critically examine past standards.

  • Fostering dialogue and practice that transcend specialty silos—cultivating holistic approaches to cultural heritage preservation, encouraging cross-disciplinary knowledge sharing, and rethinking the relationship of specific materials or treatment approaches across disciplines, from the molecular to the macro scale.


5. Confronting and Tackling Challenges in the Field 

Topics that explore the complex challenges currently facing the field and the profession, and that consider how we might respond and advocate through: 

  • Adapting to the limitations and possibilities brought on by the new realities resulting from political upheaval, worsening climate change, and a slew of financial challenges that include budget cuts, tariffs, supply chain disruptions, and an increase in the cost of living.

  • Charting the evolving roles of conservators, scientists, and other allied professions, both socially and institutionally.

  • Acknowledging and proactively responding to mental health issues in the field and recognizing the unique challenges faced by early-career professionals and recent graduates.

  • Examining working conditions, particularly in private practice, in terms of infrastructure, health and safety, emotional well-being, and other related concerns, and the role AIC or CAC could play in advocating for conservators, scientists, and other allied professionals.

« Conservation et restauration : entre innovation et tradition »

Face à l'évolution des paysages politiques, sociaux, écologiques, économiques et technologiques, nous nous trouvons amenés à élargir les frontières disciplinaires de la conservation et la restauration à la recherche d'une réinvention radicale et d'une clarification de nos objectifs. Pour cette assemblée, nous souhaitons créer un espace propice aux échanges entre le passé et l'avenir, en reconnaissant que la continuité n'est pas statique et que l'expérimentation audacieuse et réfléchie est au cœur du respect de l'héritage transmis, ce qui est essentiel pour la durabilité de notre discipline. Nous invitons les propositions de sessions générales concomitantes qui explorent comment les pratiques de conservation et restauration peuvent prospérer à la pointe du progrès, de l'expérimentation et de la réinvention, tout en conservant une ligne directrice de continuité, d'héritage et de communauté. 

Les sessions sont encouragées à aborder, sans s'y limiter, les thèmes suivants :

1. Mettre l'accent sur les priorités autochtones et locales et intégrer les soins traditionnels aux pratiques contemporaines de conservation et restauration.

Sessions mettant en avant des approches qui honorent la souveraineté, la continuité culturelle, la réconciliation et la justice réparatrice pour les communautés autochtones du monde entier, notamment :

  • Garantir un accès plus large et sans restriction aux collections, aux archives et aux processus décisionnels, et soutenir les initiatives de justice réparatrice qui reconnaissent l'histoire coloniale et promeuvent une gestion éthique.
  • Valoriser la conservation et la restauration du patrimoine immobilier, notamment les sites sacrés, les paysages ainsi que les pratiques liées aux lieux.
  • Intégrer la vocation initiale (spirituelle, fonctionnelle ou cérémonielle) dans les stratégies de conservation, d'exposition et de préservation, et intégrer les méthodes et matériaux traditionnels dans les traitements de conservation et restauration.
  • Faire face aux tensions que les conflits et les guerres font peser sur la préservation du patrimoine culturel, la sécurité des praticien·ne·s et la continuité de la mémoire et de l'identité communautaires.

2. Réinventer la formation en conservation-restauration

Sessions qui réinventent la manière dont nous enseignons, apprenons et partageons au-delà des frontières en :

  • Explorant de nouvelles approches pédagogiques et de mentorat, notamment l'enseignement dirigé par les communautés, l'enseignement par les pair·e·s, les environnements d'apprentissage hybrides et les programmes de sensibilisation à tous les niveaux.
  • Facilitant un apprentissage partagé entre les institutions, notamment par des actions de sensibilisation auprès des programmes et des professionnel·le·s d'Amérique centrale et du Sud, d'Asie du Sud-Ouest et de l'Est, et du continent africain, afin de promouvoir des réseaux d'échange plus inclusifs, réciproques et ancrés dans les régions.


3. Analyses scientifique et technique

Sessions qui repoussent les limites de ce que la science de la conservation peut faire et à qui elle sert, en présentant des approches novatrices ou de pointe en matière de caractérisation des matériaux, de développement de traitements et d'étude des pratiques artistiques, en :

  • Examinant de manière critique l'utilisation de l'intelligence artificielle dans la conservation, la restauration et la gestion des collections, y compris ses implications en matière d'accès, de reconnaissance d’auteur·e, de traitement, de travail et de durabilité, entre autres.
  • Étudiant divers objets culturels et contextes, en particulier ceux qui sont peu étudiés ou sous-représentés dans la littérature et le discours académique.
  • Promouvant des méthodes accessibles, peu coûteuses et portables pour soutenir les praticien·ne·s privé·e·s et les institutions disposant de ressources limitées.
  • Favorisant un environnement plus fertile pour les échanges scientifiques de pointe, en encourageant la collaboration entre les laboratoires, les régions et les disciplines afin de partager les méthodologies, les données et les connaissances.
  • Repoussant les limites de l'application de méthodes, de matériaux et de traitements de préservation, conservation et restauration novateurs et éprouvés, dans une optique de durabilité environnementale et de conscience écologique.



4. Démanteler les frontières disciplinaires

Sessions sur les pratiques qui établissent des ponts entre les rôles, redéfinissent les hiérarchies professionnelles et démontrent :

  • La restructuration des relations entre les orientations curatoriales et de conservation et restauration grâce à des modèles plus collaboratifs d‘interprétation et de prises de décision.
  • La collaboration avec des ingénieur·e·s du bâtiment, des gestionnaires, des concepteur·rice·s d'expositions, des fabricant·e·s de caisses, de cadres et de vitrines, des scientifiques, l’équipe curatoriale, des artisan·e·s et des artistes, entre autres professionnel·le·s associé·e·s, afin de mieux comprendre et agir sur l'environnement d'exposition ou de stockage pour le soin des collections, y compris le patrimoine bâti et immobilier, en mettant l'accent sur des pratiques durables qui examinent de manière critique les normes passées.
  • La promotion du dialogue et des pratiques qui transcendent les cloisonnements entre spécialités, en cultivant des approches holistiques de la préservation du patrimoine culturel, en encourageant le partage des connaissances entre disciplines et en repensant la relation entre des matériaux ou des approches de traitement spécifiques à travers les disciplines, de l'échelle moléculaire à l'échelle macro.


5. Affronter et relever les défis de la discipline

Sessions qui explorent les défis complexes auxquels la discipline et la profession sont actuellement confrontés, et qui examinent comment nous pourrions y répondre et les défendre à travers :

  • L’adaptation aux limites et aux possibilités engendrées par les nouvelles réalités résultant des bouleversements politiques, de l'aggravation du changement climatique et d'une série de défis financiers, notamment les coupes budgétaires, les droits de douane, les perturbations de la chaîne d'approvisionnement et l'augmentation du coût de la vie.
  • La redéfinition des rôles des professionnel·le·s de la conservation-restauration, des scientifiques et des autres professions associées, tant sur le plan social qu'institutionnel.
  • La reconnaissance et la prise en charge proactive des enjeux de santé mentale dans le domaine ainsi que la reconnaissance des défis uniques auxquels sont confrontés les professionnel·le·s en début de carrière et les jeunes diplômé·e·s.
  • L’examen des conditions de travail, en particulier dans le secteur privé, en termes d'infrastructures, de santé et de sécurité, de bien-être émotionnel et d'autres questions connexes, ainsi que le rôle que l'AIC pourrait jouer dans la défense des professionnel·le·s de la conservation-restauration, des scientifiques et des autres professionnels associés

Review Committees

Wide member participation in the abstract review process for all sessions is essential for creating a successful program. A number of committees (comprised of AIC and CAC members) will review the abstracts submitting for 2026. Specialty and interest sessions often have review committees comprised of the volunteers within that particular specialty group or network, by the group’s program chair.

The board's vice president serves as overall program chair for the meeting’s plenary (all-attendee/non-specialty) sessions. The vice president appoints members to serve on various review committees for general sessions with the aim of representing a diversity of approaches and expertise within the conservation field.

Process

Committee members read each abstract, discuss its merits, and consider its potential place in the final program. We are fortunate to receive many high quality abstracts each year. In general, we receive many more abstracts than we can accommodate in the final program. While deliberations of each review committee are strictly confidential, authors may request further information from the meetings staff in the case of rejected submissions. 

Apply for Funding When You Submit an Abstract

FAIC and AIC offer four (4) scholarship/stipend programs that can provide partial funding to a limited number of individuals (roughly 30 of the 200 plus speakers at a typical Annual Meeting). Your request for funding will not impact your abstract selection. 

When you submit your abstract, you can apply for one or more of these funding opportunities by checking a box next to that option.

The four (4) funding categories are:

  • FAIC/Kress Foundation International Speaker Scholarship - Supports speakers traveling from outside of the US or Canada with up to $1,000 for travel and registration costs. The Kress Foundation directs funds toward individuals supporting preservation of European Art in alignment with their funding priorities (pending funding from the Kress Foundation).
  • FAIC George Stout ScholarshipSupports student and post graduate AIC members with up to $1,000 for travel and registration costs. Applicants must be current students or graduated after December 15, 2023.
  • AIC Specialty Group Funding - Some AIC Specialty Groups are able to offer support to a few speakers in their sessions to attend the AIC Annual Meeting. Stipends typically support up to $1,000 toward travel and registration costs.
  • Tier 3 Nation Presenter Support - AIC will support attendance for no more than one (1) presenter from countries classified as Tier 3 by the World Bank (https://www.consumerinterests.org/world-bank-tiers). Stipend will include registration with one ticketed event, 4 nights at the host hotel (or equivalent), economy air transportation, and airport transfers in Montreal. Participant will be responsible for visa costs, meals, and any additional travel costs.

Additionally, CAC-ACCR may offer some support for their members. CAC members may be eligible for a Conference/Workshop Grant. Applications will be available at https://www.cac-accr.ca/become-a-member/#grants-and-bursaries with an anticipated deadline of February 2026.