Studies Textiles Wooden Artifacts Twitter Facebook LinkedIn
Electronic Media Objects Paintings Photographic Materials Textiles Wooden Artifacts
and The Textile Museum Museums of New Mexico Philadelphia Museum of Art University of Virginia Library Yale
the mid-Chincha Valley, Peru Colleen O’Shea, Graduate Intern in Objects and Textile Conservation, The Candelaria Cave Textiles: A Conservation Project Leslie Julieta Cabriada Martínez, Conservator, Instituto, Conservator of Textiles, Cleveland Museum of Art; Philip Brutz, Mountmaker, Cleveland Museum of Art, Protease that Used in Textile Conservation on Cotton Fibers Dyed Natural Dyes Dr. Harby E. Ahmed, to Velcro Gwen Spicer, Textile, Upholstery, and Objects Conservator, Spicer Art Conservation, LLC; Mike
art objects, utilitarian
artifacts, some textiles, installation art, and modern and contemporary, of technical analysis in collections. Textile Specialty Group Program Chair Candidate Callie O’Connor Callie O'Connor is a fashion and textile conservator based in New York City. She is currently an Assistant Conservator at the Museum at FIT. She received an MA in Fashion and Textile Studies: History, Theory, Museum Practice specializing in textile conservation from the Fashion
of rubber and plain weave textile,
in alternating layers. The number of layers of rubber and textile
contamination. The
effects of fungal infestation on paper,
textiles, leather, wool, and wood are
outlined, classes including
metal, textile, leather, paper, plastics
and architectural materials. In addition, Education. A textile con-
servator by training, Kathleen has
worked at the Metropolitan Museum
& Technical Studies: $20; $13 (student) Textiles $30; $40 (foreign); $15 (student); $25 (foreign
education l. Sculpture
f. Conservation science m. Textiles
p. Electronic media n
Textiles Specialty Group - $750
Specialty Lunches & Sessions
Each lunch and reception